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This characterisation is problematic because, being a 'I could blow your head off right now and youĬouldn't do shit.' Although he does nothing to stop it,Ĭoffey's white partner (Kirk Kinder) never participates in the Hate motherfuckers like you,' he tells Tre while holding a gun to The film's institutional villain, Coffey (Jessie Lawrenceįerguson), is a cruel black police officer who hates the hood. Men, even as it gestures towards the issue of police intimidation. The worldview presented in Boyz n the Hood is further complicatedīy the way it has chosen to exclude any violence perpetrated by white Style, it runs the risk of glamourising gun violence, as a result Work of commercial entertainment that adheres to a slick Hollywood Other, does not directly oppose the use or ownership of guns. On the one hand it condemns shooting without cause but, on the (4) Its relationship to gun violence is also complicated.
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Its depiction of women, seen through the eyes of theįilm's young men as 'bitches and hos', offers little toĬhallenge the sexist views that prevail in depictions of black women. Make the achievement even more impressive. To have a film funded by a major studio is a coup for anyįirst-time director-Boyz n the Hood was produced by Columbia afterīeing acquired by Stephanie Allain (at the time the studio's onlyīlack and female executive)-and Singleton's youth and ethnicity ThroughĮpilogue text, we learn that Doughboy is shot two weeks later, while Tre To join Doughboy in a revenge killing, while Doughboy completes hisĭownward trajectory, shooting three men in a parking lot. Ricky is shot, leading Tre and Doughboy to the actions that willĭetermine their respective futures. AfterĪn accidental and unmotivated run-in with a gang from another suburb, In the boys' characters that leads to the film's climax. 'good' it is the environment of violence rather than anything The end, Singleton makes sure to paint all three as essentially Despiteĭoughboy's misdemeanours, which are never shown explicitly until His keen sense of the finality of life in the neighbourhood sees himĭrift in and out of jail for drug-dealing and petty crime. Tre studies hard-he is smart, asĭemonstrated in the early primary school sequences -while Ricky pins TreĪnd Ricky both hope to attend college. (Baha Jackson / Ice Cube), his chubby half-brother, who live with theirĪs the boys grow up their lives begin to take different paths. McCrary / Morris Chestnut), a fledgeling football star, and Doughboy With his father, Furious Styles (Laurence Fishburne (3)), in order to In trouble at school, he has been sent to live Young man by Cuba Gooding Jr) arrives in the suburbs after spending hisĮarly years in the city. Tre Styles (played as a boy by Desi Arnez Hines II and as a In South Central Los Angeles (now South Los Angeles) in the 1980s andĮarly 1990s, a period when the area was marked by a rise in gang Original Screenplay and Best Director at the 1992 Academy Awards.Ī coming-of-age story about three young men, Boyz n the Hood is set Million at the US box office, and Singleton was nominated for Best 'terrifically confident', (1) while Roger Ebert noted it was In The New York Times, Janet Maslin called it Realism while also delivering entertainment and box-office returns.Ĭritics heralded the 23-year-old Singleton as a powerful newĪfrican-American voice. Singleton) was lauded as that year's Do the Right Thing (Spike Lee,ġ989), a him that depicted black communities on screen with ostensible Released to critical acclaim in 1991, Boyz n the Hood (John APA style: Manning up: race, gender and violence in Boyz n the Hood.
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Manning up: race, gender and violence in Boyz n the Hood." Retrieved from 2015 Australian Teachers of Media 03 Dec.